Samstag, 29. Juni 2024

P 445 (Trevor Pinnock/Clara Haskil)

29 06 2024


P 445 (K 519) in f-Moll am Cembalo gespielt von Trevor Pinnock

https://www.youtube.com/watch?v=QOuW-sF5M0o


am Klavier gespielt von Clara Haskil

https://www.youtube.com/watch?v=gJRbPR5mQag


Bonus Track: gespielt vom Swedish Saxophone Quartet

https://www.youtube.com/watch?v=If0n6XOmYAM


Trevor Pinnock Interviews

https://www.kammerakademie-potsdam.de/2019/11/interviews-zur-potsdamer-winteroper/

https://deutschegrammophon.lnk.to/Podcast?_gl=1*7zpp5b*_ga*Mzc4MzM1NzIuMTcxNDAzNDI3Mw..*_ga_SJPQTBFGED*MTcxNDAzNDI3My4xLjAuMTcxNDAzNDI3My4wLjAuMA..


Trevor Pinnock Biografie

https://de.wikipedia.org/wiki/Trevor_Pinnock

https://www.br-klassik.de/aktuell/news-kritik/trevor-pinnock-cembalist-dirigent-75-geburtstag-potrait-100.html

https://www.deutschegrammophon.com/de/kuenstler-innen/trevor-pinnock/trevor-pinnock-the-english-concert-the-complete-recordings-on-archiv-produktion-2391


Trevor Pinnock Website

https://trevorpinnock.com


Clara Haskil Biografie

https://de.wikipedia.org/wiki/Clara_Haskil


Biografie im DLF zum 125.Geburtstag von Clara Haskil

https://www.youtube.com/watch?v=qHp1Jqqzow8


(Concours international de piano) Clara Haskil Website

https://clara-haskil.ch/de/hauptseite/


Clara Haskil Edition

Auf 17 CDs präsentiert DECCA Records sämtliche Einspielungen, die Haskil im Verlauf ihrer Karriere für ie Labels Deutsche Grammophon, Philips, DECCA und Westminster gemacht hat

https://www.deutschegrammophon.com/de/katalog/produkte/clara-haskil-edition-3857


Swedish Saxophone Quartet

https://sv.wikipedia.org/wiki/Svenska_Saxofonkvartetten


 

Freitag, 28. Juni 2024

Donnerstag, 27. Juni 2024

P 443 (Justin Taylor/Marcelle Meyer)

27 06 2024


P 443 (K 492) in D-Dur am Cembalo gespielt von Justin Taylor

https://www.youtube.com/watch?v=RoPtaW3YKXI


am Klavier gespielt von Marcelle Meyer

https://www.youtube.com/watch?v=EzHtjA8E8HM


Justin Taylor Biografie

https://sinfonieorchester.ch/de/orchester-und-gastkuenstler/justin-taylor/

https://www.solea-management.com/artists/justin-taylor


Justin Taylor on Facebook

https://www.facebook.com/justintaylorharpsichord/


Justin Taylor Website

https://www.justintaylorharpsichord.com/home


Video with Marcelle Meyer: Teaser de « Cabaret Satie » 

https://www.youtube.com/watch?v=TSiZxrAy_MA


Marcelle Meyer Biografie

https://de.wikipedia.org/wiki/Marcelle_Meyer

https://www.bach-cantatas.com/Bio/Meyer-Marcelle.htm

http://www.koelnklavier.de/texte/interpreten/meyer.html


Marcelle Meyer playes Domenico Scarlatti (1685-1757) 58 Keyboard Sonatas

Recorded in 1946-54 at Paris New mastering in 2020 by AB for CMRR

https://www.youtube.com/watch?v=3Iiyzo9vdYA


Marcelle Meyer - Complete Studio Recordings 1925 - 1957

17 CDs

https://www.jpc.de/jpcng/classic/detail/-/art/complete-studio-recordings/hnum/6487093


 

Samstag, 22. Juni 2024

Mittwoch, 12. Juni 2024

P 428 (Fernando Valenti/Artem Yasynskyy)

12 06 2024


P 428 (K 484) in D-Dur am Cembalo gespielt von Fernando Valenti

https://www.youtube.com/watch?v=uMO9NUvvqUM


am Klavier gespielt von Artem Yasynskyy

https://www.youtube.com/watch?v=yWz6tEPwXsM


Fernando Valenti Biografie

https://de.wikipedia.org/wiki/Fernando_Valenti

https://www.bach-cantatas.com/Bio/Valenti-Fernando.htm


Fernando Valenti – The Scarlatti Project


In 1951, a young harpsichordist named Fernando Valenti went into the recording studios of Westminster Records to produce a long-playing phonograph record devoted entirely to keyboard music of a relatively obscure Italian-Iberian baroque composer named Domenico Scarlatti. At that time, harpsichordists were still a fairly rare breed, and although Wanda Landowska had courageously recorded several dozen Scarlatti sonatas in the 1930s, his music was still known principally to non-specialists by only a few miniatures played in arrangements as encores at piano recitals.


Valenti's Scarlatti recording was an instant success. More Scarlatti was demanded, and thus began the first major attempt to record the gargantuan cycle of some 550 keyboard sonatas in modern times. (On a few sonatas, he is joined by violinist Julian Olevsky.)


For the next decade, volumes of Scarlatti sonatas played by Valenti continued to be cranked out, 12 sonatas to the LP. Collectors eagerly awaited volumes 6, 7, 8, 13, 14, 15, 20… Unfortunately, just as stereo recording was beginning to revolutionize the recording industry, trouble was brewing. The Valenti/Scarlatti Project would not be finished. To this day musicians wonder if Valenti actually managed to record all of the 545 sonatas in the Longo Edition (plus the Menuet in F)—he did not. A finite number of sonatas was released on LP. And, after years of collecting, scrounging, horse trading, and begging, I believe I have assembled all of the music of Domenico Scarlatti that was ever commercially released by Westminster Records (and its heirs Music Guild and MCA), as played by Fernando Valenti: 359 sonatas in all. This series of videos will eventually include all of these recordings


A NOTE ABOUT THE RECORDINGS: These recordings were made over 60 years ago. They have been unavailable commercially for many decades. I have been collecting these now rare recordings for over 30 years by searching used record stores, browsing the Internet, and trading copies with other collectors. I have had to use a variety of sources, including original LPs, open reel tapes, and cassette tapes. In many cases, I had to use second- and third-generation copies of the original LP sources. For these reasons, while the original mono sound of the Westminster LPs was quite good for the 1950s, the sound quality of these recordings varies somewhat from track to track. Many are quite good; some unfortunately are not. I must apologize for some quiet background hum in some sonatas which can be heard between tracks. It is felt that the historical significance of these remarkable performances by Fernando Valenti, the first artist to record nearly all of Scarlatti’s voluminous oeuvre for keyboard, far outweighs the shortcomings of sound quality found in some of the sonatas.


The sonatas have been arranged according to the Longo edition (Ricordi). Valenti’s recording project pre-dates the publication of Ralph Kirkpatrick’s seminal research on Domenico Scarlatti, and his chronological arrangement of the sonatas (including pairing) was essentially unknown at the time. Valenti recorded the sonatas in a more-or-less random order. Still, some ordering system is necessary given the scope of the project, and it seemed appropriate to use the ordering system known to Valenti (and used as identification on the LPs themselves), that of the original Longo edition. Those familiar with Kirkpatrick's numbering system can easily cross-check the numbers with charts readily available in his book and on the internet.


Vol.1 Longo 1 – 28

https://www.youtube.com/watch?v=tHWAe6Emn9Y


Vol.2 Longo 33 – 75

https://www.youtube.com/watch?v=Q4AJMC284aY&t=39s


Vol.3 Longo 78 – 140

https://www.youtube.com/watch?v=K8DE3VEL77A&t=31s


Vol.4 Longo 151 – 199

https://www.youtube.com/watch?v=VqHv4V1q5AM&t=44s


Vol.5 Longo 200 – 257

https://www.youtube.com/watch?v=OzqvfUKs1ow&t=21s


Vol.6 Longo 261 – 319

https://www.youtube.com/watch?v=bS9NJH8Bao8&t=30s


Vol.7 Longo 320 – 379

https://www.youtube.com/watch?v=skS0hUxBI5c&t=4722s


Vol.8 Longo 380 – 444

https://www.youtube.com/watch?v=jjMWOpbhcEA&t=171s


Vol.9 Longo 445 – 488

https://www.youtube.com/watch?v=lXumryw-YXA&t=37s


Vol.10 Longo 492 – 500, Longo Supplemento 2 - 41

https://www.youtube.com/watch?v=Ol87lGJ6iqM&t=93s


Artem Yasynskyy Interview

https://www.youtube.com/watch?v=Ha9l0YJNJEY


Artem Yasynskyy Biografie

https://de.wikipedia.org/wiki/Artem_Yasynskyy

https://www.hfk-bremen.de/en/profiles/n/artem-yasynskyy


Artem Yasynskyy Website

https://www.artemyasynskyy.com


 

Sonntag, 9. Juni 2024